Monday, August 11, 2014

Writers on the Writing Process: An Interview with Poet Sharon Suzuki-Martinez

poet Sharon Suzuki-Martinez
Sharon Suzuki-Martinez is the author of The Way of All Flux (New Rivers Press, 2012). She grew up in Hawaii and now lives in Tempe, Arizona where she created/curates The Poet’s Playlist. She also blogs about weird animals and the poet’s life at Sharon Planet.

Laura Davis: Where do you write? Paint us a word picture. 

Sharon Suzuki-Martinez: To write, I have to be able to look out a window or be outside. The random flitting of wildlife facilitates my poetic flights of fancy. To do this, I have a portable writing studio: a TV tray table and a folding chair. My little office camps out amidst my cluttered kitchen most of the time, but wanders all over the house and outside.

LD: How do you begin writing? Do you just dive in? 

SS: Most often, I’ll hear an interesting line in my head or I’ll misread a sign or a headline on the Internet, so I scribble it down or type it into my cellphone along with notes for directions I’d like the poem to move in. I tend to write and revise in short bursts, but spend long periods of time thinking about the development of a poem.
Sharon's portable writing studio outside

LD: What writing implement do you wield and why? 

SS: For the last half a year, I’ve only used Pentel EnerGel pens, 0.7 mm black ink. It’s so perfectly designed, all other pens annoy and distract me from what I am trying to write. Before then, for all the poems in my book, I only wrote with husky, colorful Pilot Dr. Grip pens.

LD: How do you decide that you are finished working on a poem? 

SS: Each poem starts out as a seed that has floated into my hands from parts unknown. I take this seed of a haunting phrase, feeling, or experience and cultivate/revise it to sprout, leaf, bud, flower, and fruit. In other words, I know the poem is done when it feels like it has grown into something able to delight and nourish the reader. A finished poem must also be a transformation almost unrecognizable from the initial seed of inspiration.

Sharon's writing studio inside
LD: Let’s talk about your writing soundscape. Do you listen to music? Cafe rumblings? White noise? Utter silence? 

SS: Sometimes I can’t stop listening to or hearing a particular song in my head and this song won’t go away until I write it a poem. I think that songs, like all obsessions, possess us and then release us as new creative expression, as art. I invite poets to explore this and other ideas about poetry and music on my The Poet’s Playlist website. Otherwise, when I write I prefer silence or white noise. My favorite writing white noises are the Rainy Café and Hypnotoad.

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